1| Building located at Potsdamer Platz, Berlin, 2014 | Building at Schinkel Platz, Berlin, 2014. 2| Photography of the work in progress– oil on canvas| Building side with worn surface – Aveiro, 2014. 3| Scaffold with cover – Madrid, 2014 | Scaffold with cover – Porto, 2011 | Scaffold’s top – Porto, 2014
1| Side view of chair, at Cinema Mele | Photography transfered over raw cloth. 2| Mould of the gallery’s outside sidewalk displayed indoors – Taipas b125. 3| Street pavement projected on indoor carpet – Leeds, 2014
1| Image print on outdoor canvas | White pigment on mirrored glass. 2| Graffiti on outdoor canvas. 3| Indoor view of building around the corner
1| Building facade support structure | Exhibition view of fitting cardboard structure – Modular design. 2| Negative mould of the original studio’s floor – Scale’s stiffness. 3| Space for other points of views
1| Cinema Mele’s photo, when open - Diana Combo’s photo courtesy. 2| Image of 4 views of a chair module
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Impossibility makes greed
As much as I wanted to think about the tangible, the only guarantee that I find myself able to preserve, remains the effective contact with the real. A reality that shapes both the themes for which I like to surround myself, as well as it prevents forgetting and forces to go an opposite path – again towards the real.
The specific space and original condition of the object often define its configuration and the way these are presented. Therefore, unable to grasp the whole, the several parts are gathered to think a new idea.
