no. 24 Editorial
Moodboard

ISSN · 2183-5527

Visual Essay

Correspondances Lithiques

Correspondances Lithiques

Susana Mouzinho & Cristóbal Bouey

«Correspondances lithiques» is a performative correspondence between Lisbon and Marseille, between …

Correspondances Lithiques

Drawing in 33 hours – Túlia Saldanha + Robert Schad, 1983

Visual Essay

Drawing in 33 hours – Túlia Saldanha + Robert Schad, 1983

Álvaro Rosendo

Families Are Not Photo Albums

Visual Essay

Families Are Not Photo Albums

Joana Duarte

Visual Essay

Chiado's animation, 1982

Álvaro Rosendo

Chiado's animation, 1982

. the performativity of political acts and artifacts: some examples of what leaks and varies while remaining here

Article

. the performativity of political acts and artifacts: some examples of what leaks and varies while remaining here

Rita Barreira

CORPO MANIFESTAÇÃO – SMALL LEXICON ABOUT THE HISTORY OF PERFORMANCE IN PORTUGAL – Episode 2: PARTICIPATION

Author in residence

CORPO MANIFESTAÇÃO – SMALL LEXICON ABOUT THE HISTORY OF PERFORMANCE IN PORTUGAL – Episode 2: PARTICIPATION

Paula Pinto

dancing words

Visual Essay

dancing words

Catarina Real

On Alan Clarke’s performativity

Article

On Alan Clarke’s performativity

Elisa Pône

Visual Essay

bowed waters

Maria do Mar

bowed waters

ONE MORE TIME – BOWFINGER REVISITED

Visual Essay

ONE MORE TIME – BOWFINGER REVISITED

Isa Toledo & Sara Black McCullough

Author in residence

CORPO MANIFESTAÇÃO – SMALL LEXICON ABOUT THE HISTORY OF PERFORMANCE IN PORTUGAL – Episode 1: PLASTÍCIFES

Paula Pinto

CORPO MANIFESTAÇÃO – SMALL LEXICON ABOUT THE HISTORY OF PERFORMANCE IN PORTUGAL – Episode 1: PLASTÍCIFES

Wrong Wrong n.24

The Performance

Author in residence 23.11.2015

List of materials for the annihilation of the tangible man

Bruno Humberto

1. To sink the fear and sing nevertheless the bottom.

2. To thoroughly interpret the clouds.

3. To plan night shows for a daytime audience or for whoever stays awake, inside, and in the slow weariness of the night.

4. To condense fire in a single place, whilst friends sit around or in parallel with their own fires, within arm’s reach. That. That's it.

5. To say sea with a closed mouth.

6. Intangible with mouth stomach.

7. To find a small boat where we can all fit in.

8. To row straight inwards.

(pause)

The distraction is over.

The circus,

When it exits the field,

Leaves no marks on the floor.

–

Imagem: Bruno Humberto, «Everywhere», 2015

About Geography

Paola D’Agostino

Impossibility makes greed

João Pedro Trindade