no. 23 Editorial
Moodboard

ISSN · 2183-5527

Visual Essay + Author in residence

7 Portraits

7 Portraits

João Fonte Santa

VHS, 29' By João Fonte Santa, assisted by António Caramelo The video Sete Retratos was created for the exhibition Mundo de Aventuras, curated by José Alberto Ferreira, and features 7 video portraits, …

7 Portraits

B, Y, R

Visual Essay

B, Y, R

Henrique Biatto

Água Viva

Visual Essay

Água Viva

Lander Patrick, Gonçalo Marques, José Soares

Through the longest path

Visual Essay

Through the longest path

Margarida Rodrigues (MAR)

Working with mountains is easy

Article

Working with mountains is easy

Isadora Alves

Process Of Unframability

Sound Essay

Process Of Unframability

Frantz Loriot

Drowned, in the shame of light

Visual Essay

Drowned, in the shame of light

Isabela Abate & João Castro

Workbook on the adaptation of the play The Man Outside (1947)

Visual Essay

Workbook on the adaptation of the play The Man Outside (1947)

Pedro Paiva

Sightings

Visual Essay

Sightings

Francisco Novais

HALF A STEP FROM HOME

Visual Essay

HALF A STEP FROM HOME

António Olaio

Misfits

Visual Essay

Misfits

Fabrizio Matos

Out Of Here

Sound Essay

Out Of Here

Quatroconnection (Carla Santana)

Weiße Rose

Visual Essay + Author in residence

Weiße Rose

João Fonte Santa

it was just drained, drained

Sound Essay

it was just drained, drained

André Hencleeday

Lavagem

Visual Essay

Lavagem

João Jacinto

XXX

Visual Essay + Author in residence

XXX

João Fonte Santa

The hand with no specialty

Visual Essay

The hand with no specialty

Carolina Lino

Wrong Wrong n.23

Misfits

Visual Essay 17.08.2018

The margin of error

Emanuel Cederqvist

I’ve been walking in Sarek National Park in the north of Sweden several times now. The photographs are from these journeys. There are also photographs by Axel Hamberg, most of them taken between 1895 and 1914. Hamberg was a professor in geology at Uppsala University and a photographer. The pictures are part of his major project, to map and explore this relatively unknown part of the country. Many of the photos lack notes and it is often unknown who is pictured or where and when the images were taken.

When I went through Hamberg’s archive last summer, I noticed that we had not only been to the same places, but had sometimes even taken the same pictures. Sarek as a landscape has not changed significantly since the last ice age pulled back around 10,000 years ago, thus the dislocation in time between our photographs is almost invisible. The only things that have changed are the camera and our various positions in the landscape.

The images shown here are part of an ongoing project that is going to be a photo book later this autumn.

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This work was produced in the scope of PARALLEL European Photo Based Platform

Dead man passed by here

Horamen

Adrián Balseca