no. 23 Editorial
Moodboard

ISSN · 2183-5527

Visual Essay + Author in residence

7 Portraits

7 Portraits

João Fonte Santa

VHS, 29' By João Fonte Santa, assisted by António Caramelo The video Sete Retratos was created for the exhibition Mundo de Aventuras, curated by José Alberto Ferreira, and features 7 video portraits, …

7 Portraits

B, Y, R

Visual Essay

B, Y, R

Henrique Biatto

Água Viva

Visual Essay

Água Viva

Lander Patrick, Gonçalo Marques, José Soares

Through the longest path

Visual Essay

Through the longest path

Margarida Rodrigues (MAR)

Working with mountains is easy

Article

Working with mountains is easy

Isadora Alves

Process Of Unframability

Sound Essay

Process Of Unframability

Frantz Loriot

Drowned, in the shame of light

Visual Essay

Drowned, in the shame of light

Isabela Abate & João Castro

Workbook on the adaptation of the play The Man Outside (1947)

Visual Essay

Workbook on the adaptation of the play The Man Outside (1947)

Pedro Paiva

Sightings

Visual Essay

Sightings

Francisco Novais

HALF A STEP FROM HOME

Visual Essay

HALF A STEP FROM HOME

António Olaio

Misfits

Visual Essay

Misfits

Fabrizio Matos

Out Of Here

Sound Essay

Out Of Here

Quatroconnection (Carla Santana)

Weiße Rose

Visual Essay + Author in residence

Weiße Rose

João Fonte Santa

it was just drained, drained

Sound Essay

it was just drained, drained

André Hencleeday

Lavagem

Visual Essay

Lavagem

João Jacinto

XXX

Visual Essay + Author in residence

XXX

João Fonte Santa

The hand with no specialty

Visual Essay

The hand with no specialty

Carolina Lino

Wrong Wrong n.23

Misfits

Visual Essay 29.04.2019

In the Beginning... 1969

Paul Kohl

Retrato de Paul Kohl em Big Sur, Tassajara Hot Springs, por Bill Messer, cerca de 1969-1970 (publicado na Rolling Stone em 1971).

Turns out that ‘69 was the year my artistic life really began. I got out of the army after four years and the Vietnam war, where I was a nurse and conscientious objector… that was February of ’69... started my photography work at the San Francisco Art Institute, September ’69... while San Francisco and the USA were violently divided, all I wanted to do was make beautiful images. So, this series of grainy black and white images came to be… Had a house by the beach bathed in fog most days… Grace Slick and the Jefferson Airplane lived a couple of blocks away…They were the opening band when the Family Dog started in ’69 just up the beach…I danced, got high, grew my hair, made the pictures you see, and healed slowly: a process that continues to this day… But today the cycle/spiral seems back at that same node… the USA is in another paroxysm with Drump and his gang doing their best Rixon imitation… greed and systemic violence are strangling the joy out of life…time to dance, grow my hair, get high and add as much beauty to the world as I can…

Objects in mirror are closer than they appear

Poetics of Resistance

Marcelo Brodsky