no. 21 Editorial
Moodboard

ISSN · 2183-5527

Author in residence

Painting 21 and Painting 22

Painting 21 and Painting 22

Tânia Carvalho

Painting 21 and Painting 22

Alchemizing The Damage

Visual Essay

Alchemizing The Damage

Cecília Costa + Leonor Nazaré

DRAWING (cane field 289)

Visual Essay

DRAWING (cane field 289)

Edgar Massul + Angelo Gonçalves

The Black Angel

Visual Essay

The Black Angel

Rui Chafes + Pedro Falcão

The Hanged Woman

Author in residence

The Hanged Woman

Tânia Carvalho

Deep Into the Landscape – How to transform a cement-laden patio into an edible forest garden? – Part III

Visual Essay

Deep Into the Landscape – How to transform a cement-laden patio into an edible forest garden? – Part III

Landra

piano and birds for alberto carneiro

Sound Essay

piano and birds for alberto carneiro

Joana Gama

Swerve

Visual Essay

Swerve

Bruno Humberto

Painting 18, Painting 19 and Painting 20

Author in residence

Painting 18, Painting 19 and Painting 20

Tânia Carvalho

Deep Into the Landscape – How to transform a cement-laden patio into an edible forest garden? – Part II

Visual Essay

Deep Into the Landscape – How to transform a cement-laden patio into an edible forest garden? – Part II

Landra

DO HANDS DREAM IN ITALIAN?

Visual Essay

DO HANDS DREAM IN ITALIAN?

Antonio Colombini

Deep Into the Landscape – How to transform a cement-laden patio into an edible forest garden? – Part I

Visual Essay

Deep Into the Landscape – How to transform a cement-laden patio into an edible forest garden? – Part I

Landra

Consequence

Visual Essay

Consequence

Pedro Pires + Lourenço Egreja

Todos os Gestos

Visual Essay

Todos os Gestos

Rita Senra

Painting 16 and Painting 17

Author in residence

Painting 16 and Painting 17

Tânia Carvalho

Wrong Wrong n.21

Gestures

Visual Essay 09.02.2017

GOPR1066

João Fonte Santa

Last summer, whilst strolling by the sea, I discovered a Go-Pro camera on the surf wave line, wrapped in a tangle of seaweed. From the small algae that grew between the fibers of the headgear harness, it was apparent that it had been lost for some time in the middle of the sea. My expectation was that it contained the film that documented how it was lost and its subsequent submarine voyage. After a few days, when I got home at the end of the vacation, I confirmed the existence of this film: nine minutes of slow and suffocating drowning accentuated by the rolling of the image in the surf and the wheeze of the machine scratching in the sand, thus simulating a painful and increasingly faint act of breathing.

Prôsopon explosante-fixe

Katherine Sirois

Objectophilia

João Ferro Martins