no. 23 Editorial
Moodboard

ISSN · 2183-5527

Visual Essay + Author in residence

7 Portraits

7 Portraits

João Fonte Santa

VHS, 29' By João Fonte Santa, assisted by António Caramelo The video Sete Retratos was created for the exhibition Mundo de Aventuras, curated by José Alberto Ferreira, and features 7 video portraits, …

7 Portraits

B, Y, R

Visual Essay

B, Y, R

Henrique Biatto

Água Viva

Visual Essay

Água Viva

Lander Patrick, Gonçalo Marques, José Soares

Through the longest path

Visual Essay

Through the longest path

Margarida Rodrigues (MAR)

Working with mountains is easy

Article

Working with mountains is easy

Isadora Alves

Process Of Unframability

Sound Essay

Process Of Unframability

Frantz Loriot

Drowned, in the shame of light

Visual Essay

Drowned, in the shame of light

Isabela Abate & João Castro

Workbook on the adaptation of the play The Man Outside (1947)

Visual Essay

Workbook on the adaptation of the play The Man Outside (1947)

Pedro Paiva

Sightings

Visual Essay

Sightings

Francisco Novais

HALF A STEP FROM HOME

Visual Essay

HALF A STEP FROM HOME

António Olaio

Misfits

Visual Essay

Misfits

Fabrizio Matos

Out Of Here

Sound Essay

Out Of Here

Quatroconnection (Carla Santana)

Weiße Rose

Visual Essay + Author in residence

Weiße Rose

João Fonte Santa

it was just drained, drained

Sound Essay

it was just drained, drained

André Hencleeday

Lavagem

Visual Essay

Lavagem

João Jacinto

XXX

Visual Essay + Author in residence

XXX

João Fonte Santa

The hand with no specialty

Visual Essay

The hand with no specialty

Carolina Lino

Wrong Wrong n.23

Misfits

Visual Essay + Author in residence 04.02.2019

A mask is a face is a mask is a face is a mask...

Pedro Valdez Cardoso

This series of collages were made from reproductions of works of Western classical painting, dating between the seventeenth and the nineteenth centuries, collected in auction catalogues, such as Sotheby's or Dorotheum, and later reworked with tears, holes and white corrective paint.

The reproductions of the paintings are mostly portraits, the faces of the original figures being altered by the overlapping of African, Asian or South American masks, merging historical and cultural references while subverting the classical canons of depiction of the otherness in Western arts. Thus establishing an evident questioning about the concepts of subjugation, instrumentalization, cultural fields and powers and raising the notions of exoticism and interculturality.

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Curated by Katherine Sirois

GAZA É AQUI

Thierry Ferreira

Foma Jaremtschuk: art from beyond the edge