no. 23 Editorial
Moodboard

ISSN · 2183-5527

Visual Essay + Author in residence

7 Portraits

7 Portraits

João Fonte Santa

VHS, 29' By João Fonte Santa, assisted by António Caramelo The video Sete Retratos was created for the exhibition Mundo de Aventuras, curated by José Alberto Ferreira, and features 7 video portraits, …

7 Portraits

B, Y, R

Visual Essay

B, Y, R

Henrique Biatto

Água Viva

Visual Essay

Água Viva

Lander Patrick, Gonçalo Marques, José Soares

Through the longest path

Visual Essay

Through the longest path

Margarida Rodrigues (MAR)

Working with mountains is easy

Article

Working with mountains is easy

Isadora Alves

Process Of Unframability

Sound Essay

Process Of Unframability

Frantz Loriot

Drowned, in the shame of light

Visual Essay

Drowned, in the shame of light

Isabela Abate & João Castro

Workbook on the adaptation of the play The Man Outside (1947)

Visual Essay

Workbook on the adaptation of the play The Man Outside (1947)

Pedro Paiva

Sightings

Visual Essay

Sightings

Francisco Novais

HALF A STEP FROM HOME

Visual Essay

HALF A STEP FROM HOME

António Olaio

Misfits

Visual Essay

Misfits

Fabrizio Matos

Out Of Here

Sound Essay

Out Of Here

Quatroconnection (Carla Santana)

Weiße Rose

Visual Essay + Author in residence

Weiße Rose

João Fonte Santa

it was just drained, drained

Sound Essay

it was just drained, drained

André Hencleeday

Lavagem

Visual Essay

Lavagem

João Jacinto

XXX

Visual Essay + Author in residence

XXX

João Fonte Santa

The hand with no specialty

Visual Essay

The hand with no specialty

Carolina Lino

Wrong Wrong n.23

Misfits

Visual Essay 18.05.2020

Planaltro

Tânia Moreira David

«Planaltro» starts from a specific object, a bridge, where the fast and incessant rhythm of the cars concurs to the definition of the urban landscape, as well as to the experience of the contemporary city.
While sensitive to reality's details and nuances, the film seeks a different space-time, one that resists the crude and dehumanized image and highlights its corporeal and dreamlike dimension.
The haptic glance recreates the scene by subverting the rational view of space, its geometry and rigidity, summoning the body as a whole; the result is a sensory experience in which the architectural object is figured beyond its original character of form and materiality. It becomes a tangible, organic, light body dancing above the water and its murmur in a constant movement. «A continuous region of intensities, vibrating on itself».

Window / Atlas / We are happy

Luísa Salvador, Maria Rocha & Mariana Sameiro

One Last Longing

Henrique Pavão